Patrick Sutherland - Spiti The Forbidden Valley
The exhibition will last from May 7th until June 1st, 2003
Opening hours: daily from 1 p.m. to 6 p.m. except Mondays
Since the Dalai Lama's flight from Tibet in 1959, his homeland has been
subjected to a cultural genocide. These photographs are from the Spiti
Valley which is one of the last remnants of traditional Tibetan society
still intact. This remote community was forbidden to outsiders for several
decades but has recently been opened up to unregulated tourism, development
and rapid social change.
Culturally part of Tibet, but lying outside the Tibetan border in far
northwest corner of India, Spiti is cut off by snowbound passes for most of
the year. It was completely isolated for several decades: after the
Sino-Indian border wars of the 60's, the valley became a military zone, part
of India's "Inner Line" and was forbidden to all outsiders. This political
and geographical isolation has left Spiti remarkably untouched by the modern
world, a microcosm of the ancient culture eradicated over the nearby border
in occupied Tibet.
However Spiti is changing rapidly. The impoverished state government is
promoting tourism to attract hard currency, exposing the communities of
Spiti to everything that "development" brings with it. They are constructing
a snow free tunnel and there is talk of an airport in the valley. New roads
are linking the remotest communities and hotels are appearing in the larger
villages. Satellite TV in ubiquitous, bringing a display of opulent
consumerism, adverts for mobile phones and for compilation tapes of
Bollywood hits. Villagers who live in mud houses, plough their barley fields
with yaks and cook on burning dung now come home to watch Hindi films on
Murdoch's STAR TV.
This project documents the Spiti Valley as it comes to terms with a rapidly
changing future. The valley is a barren, treeless desert, perched on the
border of occupied Tibet, one of the highest and bleakest inhabited places
on earth. The society (total population c.10,000) consists of small isolated
villages rising up to 14,000 ft above sea level. Villagers subsist by
growing barley on terraces irrigated by glacial meltwater and by grazing
yak, sheep and goats on high pastures. The culture is dominated by Tibetan
Buddhism and by its monasteries, which date back a thousand years, but the
villages are changing fast as western clothing, modern consumer goods, Hindi
state education, tourism and entrepreneurialism collide with a culture of
monasticism, oracles, traditional healers and primitive agriculture.
These photographs were taken between 1993 and 1998, during four long
journeys in Spiti. The project began as a collaboration with two Buddhist
monks, Graham Woodhouse, an old friend of mine from Sheffield, and Tashi
Namgyal a monk from Key Monastery in Spiti. Tashi introduced us to a network
of his friends, relatives and contacts in Spiti. This took us deep inside
the community and provided the foundation for the whole work. The people of
Spiti welcomed me into their houses, took me into their lives and assisted
me with my research. They invited me to weddings, birthday parties and
funerals, into the houses of women who had just given birth and the houses
of men who were dying. They nursed me and worried about me on the many
occasions when I was ill or suffered altitude sickness. To be given such
support and such intimate access to this remarkable community has been a
rare privilege.
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